#632 Artist As... (Bastardised) | Daniel Sherington
Cyanotype on Archival paper
Height: 65cm. Width: 85cm.
‘Artist as... (Bastardised)' is part of an ongoing series exploring the implications of established systems of value, and masculine tropes of artists in Australia. The crushed beer can being symbolic of a cultural landscape, Sherington adds humour, self-deprecation, philosophy and stereotype by means of crudely-etched statements across the cyanotype print.
Daniel Sherington engages in a conceptual drawing-based practice, investigating systems of value and their perceptive implications toward art. Employing a cross-material exploration of drawing, Sherington often branches into sculptural, digital, installation and photographic processes and results - considering the boundaries of drawing and the hand-made within a wider technical context.
More information about the artist
Cyanotype on Archival paper
Height: 65cm. Width: 85cm.
‘Artist as... (Bastardised)' is part of an ongoing series exploring the implications of established systems of value, and masculine tropes of artists in Australia. The crushed beer can being symbolic of a cultural landscape, Sherington adds humour, self-deprecation, philosophy and stereotype by means of crudely-etched statements across the cyanotype print.
Daniel Sherington engages in a conceptual drawing-based practice, investigating systems of value and their perceptive implications toward art. Employing a cross-material exploration of drawing, Sherington often branches into sculptural, digital, installation and photographic processes and results - considering the boundaries of drawing and the hand-made within a wider technical context.
More information about the artist
Cyanotype on Archival paper
Height: 65cm. Width: 85cm.
‘Artist as... (Bastardised)' is part of an ongoing series exploring the implications of established systems of value, and masculine tropes of artists in Australia. The crushed beer can being symbolic of a cultural landscape, Sherington adds humour, self-deprecation, philosophy and stereotype by means of crudely-etched statements across the cyanotype print.
Daniel Sherington engages in a conceptual drawing-based practice, investigating systems of value and their perceptive implications toward art. Employing a cross-material exploration of drawing, Sherington often branches into sculptural, digital, installation and photographic processes and results - considering the boundaries of drawing and the hand-made within a wider technical context.
More information about the artist